Artistic Directors of Rambert Dance Company
- Created by: Erin00
- Created on: 25-05-18 10:30
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- Marie Rambert & Norman Morrice (1966-1974)
- Artistic Directors of Rambert 1966-2002
- John Chesworth (1974-1980)
- Produced Cruel Garden (1977) and Glen Tetley's The Tempest (1979)
- Continued to invite overseas choreographers to mount works
- Developed reputation for technical excellence and diverse repetoire
- Supported choreographic development of Rambert's dancers, reviving regular workshops
- Outreach work in schools with Young Friends Programme
- Robert North (1981-1986)
- Wanted to develop the physicality, musicality and dramatic quality
- Make dance more watchable
- Wanted to develop the physicality, musicality and dramatic quality
- Richard Alston (1986-1992)
- New approach to design
- Collaborated with set designers
- Nigel Hall - Sculpture for Soda Lake
- Howard Hodgkin - Set for Pulcinella
- Influenced soundscape with range of musical choices
- Collaborated with set designers
- New approach to design
- Christopher Bruce (1994-2002)
- Fusion of ballet and Graham technique, with hints of folk dance, jazz and other styles
- Dancers more technical and expressive
- Choreography had universal, serious themes
- John Chesworth (1974-1980)
- Regular choreographic workshops for dancers - Bruce emerged
- Artistic Directors of Rambert 1966-2002
- Morrice brought American choreographers to make work for the company
- Glen Tetley
- Created Embrace Tiger and Return to Mountain (1968)
- Mounted Pierrot Lunaire (1967)
- Marie Rambert & Norman Morrice (1966-1974)
- Artistic Directors of Rambert 1966-2002
- John Chesworth (1974-1980)
- Produced Cruel Garden (1977) and Glen Tetley's The Tempest (1979)
- Continued to invite overseas choreographers to mount works
- Developed reputation for technical excellence and diverse repetoire
- Supported choreographic development of Rambert's dancers, reviving regular workshops
- Outreach work in schools with Young Friends Programme
- Robert North (1981-1986)
- Wanted to develop the physicality, musicality and dramatic quality
- Make dance more watchable
- Wanted to develop the physicality, musicality and dramatic quality
- Richard Alston (1986-1992)
- New approach to design
- Collaborated with set designers
- Nigel Hall - Sculpture for Soda Lake
- Howard Hodgkin - Set for Pulcinella
- Influenced soundscape with range of musical choices
- Collaborated with set designers
- New approach to design
- Christopher Bruce (1994-2002)
- Fusion of ballet and Graham technique, with hints of folk dance, jazz and other styles
- Dancers more technical and expressive
- Choreography had universal, serious themes
- John Chesworth (1974-1980)
- Regular choreographic workshops for dancers - Bruce emerged
- Artistic Directors of Rambert 1966-2002
- Glen Tetley
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