Desmond Dekker- you can get if you really want
Teacher recommended
?- Created by: debsmissingyou
- Created on: 07-02-16 22:53
View mindmap
- Desmond Dekker- You can get if you really want
- Harmony
- Introduction: Moves in semitones : C and Db
- Verse uses wider range- F minor chord used
- Uses Primary chords: Db, Gb and Ab(7)
- Bass moves in Whole tone scale -
- All chords played in root position
- Bass moves in Whole tone scale -
- Chorus alternates- Db and Gb. Ends in V IV V(7) I
- Instrumental uses unrelated E and D Major
- Introduction: Moves in semitones : C and Db
- Melody
- Main Title hook use three notes: F, Eb, Db
- Second half uses remaining notes of pentatonic scale Bb and Ab (c)
- Most Phrases start on the second beat of the bar
- Bar 25 - verse 1/2 falsetto used in lead
- Word setting mainly syllabic... Try is melismatic
- Male vocal is lead, backing vocal is female
- Main Title hook use three notes: F, Eb, Db
- Texture
- In intro, trumpets begin in unison- then in thirds
- Voices
- backing vocals drop out at stop time( after try)
- instrumental riff in unison- homophonic throughout
- Melody-dominated homophony
- In intro, trumpets begin in unison- then in thirds
- Structure
- Verse Chorus + instrumental and middle 8
- Played In reverse with chorus dominating ( x4)
- Introduction Chorus Verse
- Structure defined by repeiion of chorus
- Only contrasting section is the middle 8
- Structure defined by repeiion of chorus
- Verse Chorus + instrumental and middle 8
- Rhythm
- Bass plays on first beat of the bar in contrast
- emphasis on back beat, 2 and 4
- it is in common time 4/4
- Drum fill features triplets and uses cross rhythm technique
- only plays at the end of phrases
- Drum fill features triplets and uses cross rhythm technique
- Tonality
- Remains in Db Major throughout
- Apart from unrelated keys of E and D major in instrumental
- Remains in Db Major throughout
- Harmony
Comments
No comments have yet been made