Harmony
- Created by: Harriet
- Created on: 04-04-14 17:02
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- Harmony
- Beethoven Septet
- Functional Harmony with clear cadences eg bar 28-9 in Eb
- Imperfect cadence bar 7-8
- Ic - V - I cadences eg bar 38 & 97
- Occasional Chromatic harmony e.g. German 6th in b7
- Harmonic Rhythm relatively slow
- Debussy Saranbande
- Non-Functional
- Succession of chords rather than progression
- Cadences eg bar 2 and 31-32 are 'odd' as using chords 3rd apart.
- parallel 5th and 8ves & many 7th chords and some 9ths
- re-harmonises melody when it returns
- Use of Quartal harmony eg b23-28 & 67-60
- Sweelinck
- Most chords root (5/3) or 1st inversion (6/3).
- Use of Imperfect and Perfect cadences
- Section A and C = Perfect with tierce de Picardies
- Section B = Imperfect Phrygian cadence (IVb-V)
- Schumann
- No. 1
- Perfect cadences eg b21-22
- Chord V's usually 7ths
- Diminished 7th used in bar 1 beat 2
- 4-3 suspension used in the inner part of bar 7
- No. 3
- Perfect cadences e.g. bar 20
- Use of 7th chords
- Neapolitan b13-15 in root position
- No. 11
- Cadences common but not traditional
- secondary dominant used in bar 28
- Imperfect cadences common
- Chromatic harmony used
- No. 1
- Bach
- Functional Harmonic progressions
- Harmonic Sequences eg bars 13-18
- Mainly Root position and 1st inversion chords
- 4-3 and 9-8 suspensions in bars 70-74
- Dominant 7ths are frequent
- Use of circle of 5ths - b35-42
- Harmonic rhythm varies
- Beethoven Septet
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