life on mars revision

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  • life on mars
    • representation
      • women
        • Maya: represents modern day women as independent, working alongside me
        • Miss Raines: comments that work is 'no-life' for young women, showing a common viewpoint at the time, shows the attitude to women in the work place
        • Annie: she's discussed in a sexualised way. she challenges the way women were perceived by men
      • men
        • Gene: represents old fashioned masculinity (he drinks, smokes and bullies others to get his way). he encapsulates this 'hyper-masculinity' in his actions and values. shown by filming him from a low angle.
        • Sam: represents a modern day man (professional, smart, treats women as equals) offers the audience a viewpoint they (should) see as more appropriate (protagonist)
    • genre + context
      • Sci-Fi: Sam seems to hear thing the others don't. time travel- when he wakes up there is a 360 shot, diegetic/ non diegetic sound. the use of a dark colour palette and low key lighting.
      • modern context: Sam's perspective shown through comments, attitude and technical codes such as close up and POV shots - signifies a preferred reading
      • intertextuality: audience pleasure/ nostalgia (back to the future billboard). 70s cop show music, fashion and pop culture
      • typicality: opening scene- typical (car chase/ arrest). Typical characters, setting and iconography. Includes elements of 70s  crime drama though a modern perspective. Typical character types and binary oppositions
      • Propp's character types
        • Neale (genre)
        • Levi-Strauss
        • Untitled
    • Industry
      • Regulation: Ofcom follows same codes as other broadcasters. the public have to complain. Time shift viewing + streaming led to the irrelevance of the water shed
      • Marketing: had posters, trailers and teasers all with a vintage feel. The cast and crew did interviews to promote the show. LOM had its own page on BBC website, and the BBC produced merchandise materials
        • Marketing: John Simm- pre sold audience from Dr Who. Gene Hunt became iconic with the UK version broadcast in 14 other countries
      • production
        • BBC: unbiased, 25% independent, educate + inform, diverse + innovative programming, LOM is a hybrid genre, modern day perspective on past views
        • Kudos: part of Banijay UK, part of a conglomerateur based company - office in London and Manchester, well known for quality dramas/ working with top actors/ writers, is diverse
      • Curran + Seaton
    • audience
      • targeting audiences through: genre, narrative and representations
      • how are audiences positioned: through Sam's modern day perspective and restricted narrative viewpoint (POV shots)
      • who are they? older demographic, crime dramas are popular across genders, characters appeal to all for various reasons. hypermasculinity + lack of political correctness = male audience
      • broad socio-economic audience: active. (B-C = complexity) (D-E = Gene Hunt)

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