Poulenc- Sonata for Trumpet Horn and Trombone
- Created by: eddso
- Created on: 20-12-14 10:25
View mindmap
- Poulenc - Sonata for Trumpet, Horn and Trombone
- Texture
- MELODY-DOMINATED HOMOPHONY
- Trumpet - TUNE
- Trombone- BASS LINE
- Horn - ALTERNATING NOTES for HARMONY
- Trombone- BASS LINE
- Trombone- BASS LINE
- Horn - ALTERNATING NOTES for HARMONY
- Trumpet - TUNE
- Top two instruments sometimes play TWO-PART TEXTURE
- Bar 12
- PARALLEL 6THS
- Bar 12
- MONODY
- Bar 22-25
- various THREE-PART TEXTURES
- Trumpet and Trombone move together in COUNTERPOINT
- Bar 26
- Horn plays WIDE-RANGING BROKEN CHORDS
- Trumpet and Trombone move together in COUNTERPOINT
- Bar 26
- Horn plays WIDE-RANGING BROKEN CHORDS
- Horn plays WIDE-RANGING BROKEN CHORDS
- Bar 26
- Trumpet and Trombone move together in COUNTERPOINT
- Horn plays WIDE-RANGING BROKEN CHORDS
- Bar 26
- Trumpet and Trombone move together in COUNTERPOINT
- OOM-PAH accompaniment
- HOMOPHONY (All parts move together)
- MELODY-DOMINATED HOMOPHONY
- Melody
- frequently DIATONIC
- sometimes CHROMATIC
- Melody
- frequently DIATONIC
- sometimes CHROMATIC
- sometimes CHROMATIC
- often OUTLINES BROKEN CHORDS
- BALANCED PHRASES
- CONJUCT
- LARGE LEAPS
- SCALIC
- REPEATED NOTES
- ORNAMENTS
- frequently DIATONIC
- Melody
- sometimes CHROMATIC
- often OUTLINES BROKEN CHORDS
- BALANCED PHRASES
- CONJUCT
- LARGE LEAPS
- SCALIC
- REPEATED NOTES
- ORNAMENTS
- frequently DIATONIC
- RHYTHM
- QUAVERS + SEMIQUAVERS
- CROTCHET CADENCES
- Melody often starts with ANACRUSIS
- Frequent METRE CHANGE
- NOT CLASSICAL
- Synocpation
- NOT CLASSICAL
- Semi-quaver scale in FREE-RHYTHM
- Bar 39
- HOMORHYTHM
- QUAVERS + SEMIQUAVERS
- Harmony
- Perfect cadences crushed by DISCORD
- Bar 4 should be IV - I - V - I
- IV (added D) - Ic (Added C) - V7 - I
- Perfect cadences crushed by DISCORD
- Bar 4 should be IV - I - V - I
- IV (added D) - Ic (Added C) - V7 - I
- IV (added D) - Ic (Added C) - V7 - I
- Bar 4 should be IV - I - V - I
- Perfect cadences crushed by DISCORD
- IV (added D) - Ic (Added C) - V7 - I
- Bar 4 should be IV - I - V - I
- Outlined by BROKEN CHORDS
- PEDAL NOTES
- Perfect cadences crushed by DISCORD
- TONALITY
- CHROMATIC NOTES
- Weaken key
- DISCORD
- DISCORD
- Weaken key
- Fundmentally TONAL
- CHROMATIC NOTES
- Structure
- LOOSE TERNERY FORM
- SECTION A
- MAIN THEME
- FASTER SUBSIDIARY THEMES
- RETURN OF SLOWER MAIN THEME
- BAR 9-17
- BAR 17-21
- FASTER SUBSIDIARY THEMES
- MAIN THEME
- SECTION B
- NEW SLOWER THEME
- FOUR BAR LINKING SECTON with CADENZA
- NEW SLOWER THEME
- SECTION A2
- MAIN THEME
- Section B music INTERPOLATED
- SUBSIDIARY IDEAS return
- 4 BAR CODA
- SUBSIDIARY IDEAS return
- Section B music INTERPOLATED
- MAIN THEME
- SECTION A
- LOOSE TERNERY FORM
- Texture
Comments
No comments have yet been made