Act 3 Scene 15
- Created by: emily_w
- Created on: 26-05-15 17:09
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- Scene XV: Witwoud and Sir Wilfull
- Spoken Language Features
- Register
- Sir W's dialect causes him to stand out against more formal talk
- "Oons" "by'r lady"
- Difference in register of Sir W and Mrs Marwood's first utterances in the scene immediately highlight difference
- "Oons" and "I don't think a knows his own name" VS "Your brother is not behindhand in forgetfulness"
- Sir W's accent becomes more pronounced after he recognises Witwoud
- "yea by'r lady but 'tis"
- shifts from "you" to "thee"
- Sir W's dialect causes him to stand out against more formal talk
- Terms of Address
- Marwood calls Witwoud "Mr Witwoud", which may be to emphasise how his status is lower than his brother
- Sir Wilfull's excessive use of honourifics show how he is conscious of politeness
- "sir"
- Paralinguistic features
- Petulant uses a laughter-like sound to show his disdain for Sir Wilfull
- "Hem, hem."
- Witwoud uses sounds to give a dismissive tone
- "Ay, ay,"
- "Pshaw"
- Petulant uses a laughter-like sound to show his disdain for Sir Wilfull
- Non-fluency features
- Sir Wilfull frequently pauses when he recognises his brother, which shows his indecisive-ness
- Colloquialism
- Witwoud uses these to undermine Sir W's status
- "Wilfull of Salop"
- Witwoud uses these to undermine Sir W's status
- Oaths and swearing
- Sir W frequently uses these to show his lack of sophistication
- "'Sbud"
- "'Sheart"
- Sir W frequently uses these to show his lack of sophistication
- Register
- Contextual Factors
- As Sir W lives in the country and is more isolated from Restoration fashion, he may retain more Puritan-influenced values
- Linguistic/ Grammatical Devices
- Sentence functions
- Witwoud uses an imperative to order Petulant to talk to his brother so Witwoud won't have to
- "Petulant, speak."
- Sir Wilfull's interrogative shows his uncertainty. Is also more indirect, so polite
- "No offence, I hope?"
- Witwoud uses an imperative to order Petulant to talk to his brother so Witwoud won't have to
- Pronouns
- Witwoud uses the personal pronoun "me" emphasise it and play his apprenticesh-ip to a felt-maker as a joke
- "this fellow would have bound me to a maker of felts"
- Witwoud uses the personal pronoun "me" emphasise it and play his apprenticesh-ip to a felt-maker as a joke
- Sentence functions
- Literary Devices
- Metaphor
- Sir W uses a countryside or nature themed metaphor, possibly to show how he is out of place in the city
- "This fellow knows less than a starling"
- Sir W uses a countryside or nature themed metaphor, possibly to show how he is out of place in the city
- Sound Patterning
- Sir W uses plosives, which imitate spitting, to show his disgust at Witwoud's foppishness
- "thou art so becravated and so beperriwigg-ed"
- Sir W uses fricatives to place emphasis on (what he perceives as) insults
- "The fashion's a fool and you're a fop, dear brother
- Sir W uses plosives, which imitate spitting, to show his disgust at Witwoud's foppishness
- Metaphor
- Rhetorical Devices
- Repetition
- Witwoud and Petulant repeat Sir W's common phrases as a way of mocking him
- Witwoud: "No offence? Ha ha ha."
- Petulant: No offence, I hope, sir?
- Witwoud: "Your servant, brother"
- Witwoud repeats negative terms to emphasise disdain for country manners. Gives utterance indignant tone
- "'Tis not the fashion here, brother, indeed 'tis not."
- Witwoud and Petulant repeat Sir W's common phrases as a way of mocking him
- Triple structures
- Witwoud's use of a triple structure shows his excitement, nervousness and immaturity
- "Smoke the boots, the boots, Petulant, the boots"
- Witwoud's use of a triple structure shows his excitement, nervousness and immaturity
- Incrementum
- Sir W uses incrementum to undermine Witwoud and remind him of his lower status
- "Your friends and your relations, your elders, your betters?"
- Sir W uses incrementum to undermine Witwoud and remind him of his lower status
- Repetition
- How Dialogue Reveals Play's Form/Genre
- Deflation
- Witwoud is deflated when faced with his brother, who shows how ridiculous he is
- Deflation
- Play's Themes
- Love
- Sir W wants the best for Witwoud and is angry that Witwoud is a fop, possibly because he is wasting his talents
- Materialism
- Witwoud demonstrates the materialism of the Londoners when contrasted with Sir W the country bumpkin
- The Way of the World
- Contrast between city and country
- Country people see the city's fashions as ridiculous
- Love
- Spoken Language Features
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