Schumann Piano trio mov. 1
- Created by: E.H13
- Created on: 27-04-18 19:08
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- Schumann Piano trio in G minor
- Forces
- Piano trio
- Typical of the time
- LINK to Schubert Piano trio in Bb
- Cello primarily used as accompaniment
- Plays simplified piano LH in bar 9
- Piano trio
- Harmony
- Generally functional but displays early romantisicm
- Dominant pedal
- b74
- b 155 pedal D in violin and cello
- Circle of 5ths
- b 139
- Harmonic rate increases during the development
- Plagal cadence at the end
- Use of extended chords e.g. dim 7 chords e.g. bar 18
- Use of unprepared suspentions
- LINK to my Harmony work
- Predominantly tonal and diatonic
- LINK to Schubert Piano trio in Bb
- Structure
- Sonata form
- Exposition
- Development
- Recapitulation
- LINK to Berlioz Symphony fantastique
- LINK to Schubert Piano trio in Bb
- Unlike Berlioz, Schubert and Schumann have distinct differences between 1st and 2nd subjects
- LINK to Berlioz Symphony fantastique
- Unlike Berlioz, Schubert and Schumann have distinct differences between 1st and 2nd subjects
- Sonata form
- Texture
- Mainly melody dominated homophony
- Ideas passed between instruments
- LINK to Mendelssohn octet mov. 4
- 'discursive'
- Polyphonically animated homophony b 13
- Imitation, especially in development section
- Block chord textures b 45-57
- Tonality
- Exposition
- 1st subject in G min
- 2nd subject in Bb mj
- Development
- Lots of keys Eb/Fmin / Gmin/ C min /Fmin
- Recapitulation
- 1st subject in G min
- 2nd subject in Gmj (tonic mj)
- Unusual
- Exposition
- Rhythm
- Frequent syncopation
- Allegro moderato
- LINK to Schubert Piano trio in Bb 1st mov
- 1c and 1d begin with anacrusis
- Feels in 4/4 with increased harmonic rhythm
- Strong rhythmic drive due to quavers in piano LH from begining
- LINK to Schubert piano trio in Bb
- Forces
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