The Beatles- I want to tell you

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  • Created by: han_rosek
  • Created on: 20-04-24 12:29
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  • The Beatles- I want to tell you
    • Instrumentation
      • Conventional pop song set up: Electric guitar (lead and rhythm) bass guitar, drums, lead and backing vocals
      • Lead guitar played through Leslie Cabinet
      • Close harmony vocals- high- Lennon and McCartney
      • Lead vocals by Harrison- narrow range mainly of 4th- A to D
      • Percussion- Drums (Ringo), maracas (Ringo), tambourine (John),clapping
      • Studio Effects- fade in and fade out
    • Texture
      • Melody dominated homophony
      • Ostinato- looped & eectronically replayed
    • Structure
      • 1.Intro- 4 bars repeated
        • 2. Verse 1- 11-bars (unusual length)
          • 3. Verse 2
            • 4. Bridge (b.27)- 8 bars
              • 5. Verse 3
      • Strophic
      • Irregular phrase lengths
    • Tonality
      • A major
      • A tonic pedal
      • Blues effect from flattened  #2nd and b7th
      • No modulation
    • Harmony
      • Intro- over A pedal with tonic and subdominant chords alternating
        • A7, D(sus4), D/A
      • Verses- 3 and a half bars on A before moving up a tone to B7 (secondary dominant) then 4 bars of E7 (dominant of A)- Distinctive minor (9th)
        • Acciacaturas show the indian influence- Guitar mimics sitar
        • Extreme dissonance between guitar and voice and the chords of the  verse
      • Bridge- on Bm (supertonic). B diminished chords.
        • Bm, Bdim, (chromatic shift) A, B7, Bm, Bdim, A
      • Coda/Outro- Based on intro and “I’ve got time” vocal line from verse- Guitar riff from intro and melismatic chanting (Layered vocals through Leslie Cabinet
    • Melody
      • Harrison uses narrow vocal range from E above middle C to D
      • Melody generally conjunct
      • Largest interval- perfect 4th
      • Harmonising above main melody by backing vocals - triadic
      • Blues effect in guitar riff from B# an G natural
      • Outro- repeat of last 3 notes of verse
      • Melismatic chant through Leslie Cabinet- sounds like “1000 Tibetan monks”- mirrors chord in verse
    • Rhythm, Tempo, Metre
      • Reoccurring crotchet triplet rhythm in guitar riff, creating cross rhythms
      • Use of syncopationsand dotted rhythms
      • Bass riff electronically looped creating rhythmic ostinato

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