C minor tonality (not used structurally only for colour)
very bleak harmony - omitting 3rd from chord I: bar 26
triadic movement helps signify tonal nature of the work, outlining C minor triad: bar 12
highly chromatic, by bar 7 all 12 semitones of the chromatic scale have been sounded
utilises the interval of a tritone: bar 55
G major: bar 79
Eb minor: bar 80
F major: bar 81
obscured perfect cadence: bar 25
tonic and dominant drones lasting more than 17 bars: bar 28
perfect cadence: bar 120-123
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