7. Pulcinella Suite: Sinfonia, Gavotta and Vivo - Stravinsky

?
How did Stravinsky make a name for himself?
He wrote three notable ballets before the start of WW1 - "The Firebird" (1910), "Petrushka" (1911) and "The Rite of Spring" (1913). "Pulcinella" was composed just after the end of WW1.
1 of 32
What happened to the demands of the type of production after the war?
After the war, the lavish earlier type of production with large instrumental demands was no longer appropriate.
2 of 32
When was this suite completed?
This suite was completed in 1922, and contains 8 of the original 20 movements.
3 of 32
Who did Stravinsky use the work of as a starting point for this work?
Baroque composers.
4 of 32
How many players did the original 18th century pieces that Stravinsky used for these three excerpts have?
They had a maximum of four players.
5 of 32
What sort of stopping is used in the violin music in the Sinfonia?
Both double and triple stopping is used, i.e. Violin 2, bars 1-4. The 'non div.' direction indicates that this technique is to be used as opposed to splitting the notes between the violins in the group.
6 of 32
How is the full tutti music emphasised in the Vivo?
It is emphasised by loud dynamics (i.e. bars 33 and 37).
7 of 32
What does the 'Du talon' marking mean in bar 12 of the Vivo?
"Played at the heel of the bow".
8 of 32
What is the main texture in the Sinfonia?
Melody dominated homophony.
9 of 32
Where do we get a glimpse of original trio sonata origins?
In bar 12, two violin parts playing in thirds above a quaver bass line.
10 of 32
Which texture is used in bar 23?
Homorhythm.
11 of 32
Which texture is used in bar 38 of the vivo?
Heterophony.
12 of 32
Which structure does the Sinfonia use?
Rounded binary - there is an imagined double bar at the end of bar 15.
13 of 32
Describe the sections in the Sinfonia.
Section A (bars 1-15, also counts as the 1st half), Section B (bars 16-32), Section A1 (bars 33-end). Section B and Section A1 makes up the second half.
14 of 32
What happens in bar 80?
The second half is repeated. The second phrase starts before the first finishes, overlapping with the last two notes (bar 82).
15 of 32
When does the main tune reappear?
In bar 53, with unaccompanied bass.
16 of 32
Which key is the Sinfonia in?
G major. It then modulates to D major in bar 4, as the Baroque original does, and then moves through other closely related keys (from bar 16) before ending in the tonic key.
17 of 32
Where is the music taken to B minor?
A modulating sequence is used in bars 21-23, and takes the music from G major to B minor through A major.
18 of 32
Where is there use of a circle of fifths?
Bars 7-9.
19 of 32
How is the cadence effect altered in the second beat of bar 2?
The 2nd beat of bar 2 should be a dominant 7th (D-F#-A-C), instead, the G in oboe 2 and violin 2 clashes with the F#.
20 of 32
How does the harmony in the oboe relate to the tonality in bars 43-46 of the Gavotta?
The oboe outlines the tonic and subdominant chords (D and G).
21 of 32
How is a discord created in bar 44 of the Gavotta?
The tonic chord produces a powerful discord, with the F# in violin clashing with the G in oboe and bassoon 2.
22 of 32
Where is a suspension heard?
In the solo cello part in bars 7-9 (Sinfonia), the long held notes end in suspension which resolves ornamentally.
23 of 32
Where is a 7th chord used?
A dissonant G major 7th chord is used at the beginning of bar 7.
24 of 32
How does Stravinsky's melody relate to the original?
Stravinsky's melody lines tend to follow the 18th century originals particularly closely.
25 of 32
How is ornamentation used?
Stravinsky sometimes exaggerates ornamentation to make the music sound even more 18th century in character. the exaggeration of stylistic effects was a common feature of Neo-Classical style, e.g. the frequent trills bars 7-9.
26 of 32
Where is there use of grace notes?
Grace notes are used bar 5 beat 2. this kind of group of grace notes is called 'gruppetti', literally meaning 'little groups'.
27 of 32
How are passages often used in phrases?
Phrases often feature passages in conjunct style followed by a large leap i.e. in bar 1 of the Sinfonia, where a downward leap of a perfect 5th interrupts conjunct movement.
28 of 32
What sort of rhythms are an important feature of the Sinfonia?
Dotted rhythms are an important feature of the main Sinfonia tune, and especially in the sequence section, bars 7-9.
29 of 32
What happens to the time signature?
Occasionally changes in time signature as in bar 11, where he adds an extra beat to the original melodic idea. This results in a change to 2/4 and then 3/4.
30 of 32
Which time signature does Variation 11 use?
6/8.
31 of 32
What does 'staccatiss. e secco' mean?
"Very detached and dry" - bar 46 in the Vivo,emphasises short note lengths.
32 of 32

Other cards in this set

Card 2

Front

What happened to the demands of the type of production after the war?

Back

After the war, the lavish earlier type of production with large instrumental demands was no longer appropriate.

Card 3

Front

When was this suite completed?

Back

Preview of the front of card 3

Card 4

Front

Who did Stravinsky use the work of as a starting point for this work?

Back

Preview of the front of card 4

Card 5

Front

How many players did the original 18th century pieces that Stravinsky used for these three excerpts have?

Back

Preview of the front of card 5
View more cards

Comments

No comments have yet been made

Similar Music resources:

See all Music resources »See all Developing Musical Understanding resources »