Melody - A ------- interval of a diminished 5th - an augmented 4th happens in Bar 10
Tritone
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Melody - Individual notes can be ----------- up or down one or more octaves
Transposed
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Melody - Wide, ------- intervals (Bar 3 in the piano part)
Angular
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Melody - The melodic lines are ----------- as they are interspersed with rests (e.g. Bars 6-10, but throughout)
Fragmented
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Melody - Webern uses the German structure of ------------------ which means tone, colours and melody
Klangfarbenmelodie
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Melody - Webern uses the idea of making a melody from little splashes of varying instrumental colour in his piece, The word to describe this is -----------
Pointillist
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Rhythm - Mainly in ------ time (Beginning time signature)
Triple
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Rhythm - Time signatures change ----------; goes from quintuple to quadruple then back (e.g. Bars 3-4)
Frequently
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Rhythm - There are three recurring -------- groupings
Rhythmic
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Rhythm - One recurring rhythmic grouping is the first 3 notes in the Saxophone. It goes semiquaver, semiquaver, rest, ------
Quaver
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Rhythm - The second recurring rhythmic grouping is the ----- semiquavers
Piano
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Rhythm - One recurring rhythmic grouping is the first 3 notes in the Saxophone. It goes semiquaver, semiquaver, rest, ------
Quaver
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Rhythm - The second recurring rhythmic grouping is the ----- semiquavers
Piano
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Rhythm - The third recurring rhythmic grouping is in the Violin -----------
Semiquavers
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Rhythm - Webern notates the beginning of the piece in German as '---- massig' (Slow Speed)
Sehr
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Rhythm - There is a ------- (pause) used just before the Recapitulation (Bars 26-27)
Fermata
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Harmony - Frequently -- harmony
No
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Harmony - Frequently --------- causing clashes (e.g. Bar 13)
Dissonant
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Harmony - C sharp clashes with D and - ---- (Bar 20)
EFlat
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Harmony - The first 'chord' is a clashing ----- 2nd interval
Major
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Structure - The beginning of the piece (Bars 1-5)
Introduction
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Structure - The part after the Introduction (Bars 6-15)
Exposition
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Structure - The ----------- section, - palindrome, follows the Exposition (Bars 16-23)
Development
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Structure - This part interlinks the Development section and the Recapitulation (Bars 24-27)
Link
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Structure - The ------------ comes after the Link (Bars 28-39)
Recapitulation
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Structure - Ends the piece (Bars 40-43)
Coda
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Texture - Extremely ---- (e.g. Bar 23)
Thin
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Texture - Almost ---------- in places
Monophonic
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Texture - Use of canon and ------ canons (Bar 2)
Mirror
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Texture - Fundamentally ---------- due to the four instruments playing four different things
Polyphonic
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Style - Written by ----- Webern
Anton
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Style - Completed in 19-- (Written, not in number form)
Style - He includes all the characteristics of the music of the second -------- School he attended. These characteristics include Atonality, Dissonance, Brevity, Angular melodies with wide leaps and a Pointillist writing style
Viennese
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Tonality - It is ------
Atonal
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Tonality - It has a ------ approach (HINT: not the breakfast cereal that you eat)
Serial
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Tonality - Includes Retrograde (Backwards) and Retrograde --------- (Flipped and backwards)
Inversion
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Forces - Widest range of ------ from a small number of players
Timbre
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Forces - Quartet of Piano, Saxophone, -------- and Violin
Clarinet
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Forces - -------- have a wide range (ff-pp) (Bars 23-24)
Dynamics
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Forces - Performance directions include tenuto, staccato and ----- (Bars 25-26)
Slurs
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Forces - Wide range of --------- such as mute, bow and pizzicato for the Violin and spread chords for the Piano
Techniques
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Other cards in this set
Card 2
Front
Melody - Individual notes can be ----------- up or down one or more octaves
Back
Transposed
Card 3
Front
Melody - Wide, ------- intervals (Bar 3 in the piano part)
Back
Card 4
Front
Melody - The melodic lines are ----------- as they are interspersed with rests (e.g. Bars 6-10, but throughout)
Back
Card 5
Front
Melody - Webern uses the German structure of ------------------ which means tone, colours and melody
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